After completing shows around Europe, Vivienne Westwood finally made her long awaited and much needed return to London to debut her men’s Autumn Winter 17/18 collection.
The fashion crowd seemed far from restless as they took full storm to the streets of London for the last day of London Fashion Week Men’s. It may have seemed odd to anybody not involved in the multitude of fashion reporters, styles, bloggers and lovers. The contrast of the tube strike and the drab weather with the feverish mob appeared to be a fitting embrace of one of fashion’s greats. The national treasure who led the punk movement and is now a full time environmentalist campaigner, Dame Vivienne Westwood debuted at LFWM.
The themes of environmentalism and politics seem to have been a running trend throughout this collection entitled ‘Ecotricity’. These issues seemed to have dominated Westwood’s mind for the past decade or two, and this notion was only highlighted in the stripped back and seemingly hand crafted clothes featured on this seasons catwalk. Some models wore patches plastered with anti-climate change logos. Handmade paper crowns and outlandish hats perpetuated the crucial theme of climate change, whilst still adding an edgy side which nods in the direction of punk, as is Westwood’s custom.
Even those with the haziest knowledge of fashion will recognise Westwood’s name as the pioneering force behind the punk movement. This show did little to disappoint on the punk front. The different location and the barren ambience of the room may have been unfamiliar to the show-goers, but the show had all of the recognisable features of a Vivienne Westwood display. The show featured designs for both men and women and even featured a plastic knife that had been reworked into an earring.
Rips, tears, mohair pieces and seemingly hand crafted pieces further prove that Westwood and her designer partner, Andreas Kronthaler, are aware of the punk heritage that the name holds. Even with the new interests into preserving the planet, Westwood seems to effortlessly combine her passions into one fluid show that never disappoints the multitude of people watching. There may have been edgy pieces in the collection, but the glamorous dresses and outerwear reminds the loyal fanbase what that Westwood brand is all about.
The show notes read ‘What’s good for the planet is good for the economy/what’s bad for the planet is bad for the economy’. Fashion remains one of the biggest contributors of pollution in our society. Westwood’s collection helped to perpetuate the message that we need to rethink our fashion choices even more. From the string belts to the patched clothing, Vivienne Westwood will not shy away from continuing to convey her revolutionary messages through the medium of fashion; the £33.8 million turnover for 2015 only proves that the Vivienne Westwood brand continues to perform well and provide their customers with the classic style that has become associated with Westwood herself.
With extended applause for her closing of a run of four days of shows, Vivienne Westwood walked surrounded by her models and holding a bouquet of flowers, tears glistening in her eyes. It seems that five decades of fashion will do nothing to stop her, as the leader of the punk movement focuses her talent on the ever impending threat of climate change.
As successfully as she pushed the punk revolution, Westwood will continue to bring the environment to the forefront of all of our minds.
‘I think it is a good thing to buy less and choose well- It’s good for the environment and to be fair it’s also good for me because my clothes are quite expensive.’